BREAKING
東亰新報The Tokei Shimpo
← Read this article in Japanese(日本語版)

Culture

People of the Shore (8): The Same Song, Heard From a Care-Home TV — Taki Fukaura, 88

Thursday, September 10, 2026 (Torek 52) — Culture Desk, Migiwa Tono

©The Tokei Shimpo

Taki Fukaura, 88, was one of the 18 first-generation settlers unable to attend the Arrival Remembrance Day ceremony in person, watching the relay instead with staff and fellow residents at a bayside care home. Though the meaning of the lyrics never reached her, she says she still knew it was 'the same song.' Three days after the ceremony, this paper visited her there.

The invitation to the Arrival Remembrance Day ceremony reached Taki Fukaura, 88, who lives in a four-person room at Bayside Fureai Home, just as it has for the past three years. All three years, she has chosen to stay away. "It's not that I don't want to go," she says. "It's just that three hours in that crowd, being pushed in a wheelchair the whole time, would be hard on me." As previously reported, she is one of 18 among the 121 invited first-generation settlers who chose to watch the relay from a care facility instead.

At noon on the day of the ceremony, a dozen-odd residents and staff gathered in the home's dining hall, chairs arranged before a large television. As previously reported, when the Shore Lullaby began, the dining hall — usually never without some television or chatter — fell quiet. It turns out that the staff member quoted in an earlier report, saying "none of us understand the words either, but something still came through," works at this very home. Fukaura herself said, "Everyone just kept facing the television, not moving. That alone told me they were really listening."

Fukaura was 27 when she arrived in 1975, one of the generation who first heard the lullaby in the settlement camps. The song's lyrics remain officially "undeciphered," as previously reported, but Fukaura carries her own memory of it. "The fourth verse — the melody I remember was a little different from what I heard on TV. But somehow the difference made it feel more real. Everyone learned it their own way." The transcriber Ushio Kishiura's official score, unified into the single form the 37-member chorus performed, and the small discrepancies in memories like Fukaura's, can be read as reflecting the very nature of a song that, as previously reported, has never been fully deciphered or standardized.

As previously reported, the civic engagement division received two complaints about audio and video quality from the facilities receiving the relay. This reporting found that one came from this very home. "The choir section of the lullaby sounded a little muffled," a staff member said. "We'd like to consult on our sound equipment here ahead of next year." Fukaura laughed: "I didn't know it was muffled. Even muffled, though, I could tell it was the same song."

On the night of the ceremony, Fukaura's grandson and his wife visited, showing her photos from the venue on a tablet and describing the scene for about an hour. "Things like the air in the crowd, how the person next to them cried — hearing the little details was what mattered. You don't get that from television." The grandson's wife, 45, recalled, "It felt like stitching together the part Grandma watched on the relay with the part we saw in person."

Asked about next year's invitation, Fukaura said, "I expect I'll watch from here again. It's not that I can't walk anymore. I just don't want to push myself, feel unwell partway through, and trouble everyone around me." The civic engagement division, as previously reported, is reviewing its relay equipment for next year, and the home has begun its own consultation on improving the sound. Fukaura added, at the end: "The people at the venue, and the people listening here — we heard the same song. That's enough."

Advertisement

Tosatsu — Drop by on Any Practice Day

The Shiomibashi Shopping Street Tosatsu Association. Watch the master's throw up close.

Related

  • City

    Fifty-One Years Since the Arrival: Ceremony at Kishihama Park as the Shore Lullaby Is Sung in Public for the First Time in Half a Century

    On the afternoon of the 7th, a ceremony marking the 51st anniversary of the 1975 mass arrival was held at Kishihama Park. Of the 121 first-generation drift settlers invited, 103 attended in person, and the ceremony opened with the first public performance of the Shore Lullaby, sung by a 37-member chorus centered on students from Bay Third Junior High School. Held on the same day as the final day of the spring-tide observation campaign, the event proceeded without major disruption.

  • City

    Ceremony Closes Without Major Incident as an Estimated 12,000 General Visitors Attend

    The city's civic engagement division reported on the 8th that an estimated 12,000 members of the public attended Monday's Arrival Remembrance Day ceremony. No incidents of crowding or accidents were reported, and all 103 first-generation drift settlers who attended in person, out of 121 invited, returned home safely. The city says it will now review the first year of its volunteer transport program ahead of next year's ceremony.

  • City

    One hundred twenty-one first-generation Drifters invited; volunteers to drive them to the ceremony

    Ahead of Drift Remembrance Day on Sept. 7, the Tokei city government released the outline of its ceremony at Kishihama Park on the bayfront. This year 121 first-generation Drifters have been invited — about half the number of ten years ago. For the first time, volunteer residents will drive them from their homes.

  • Culture

    People of the Shore (7): At 101, Tane Kishitani Finally Hears It for Real

    At noon on September 7 at Kishihama Park, 101-year-old Tane Kishitani, true to her word that she would simply be "the one who listens," sat with her eyes closed and did not move once during the lullaby. It was the first time in 51 years that the song she once heard as a child in a kitchen was sung in public.

— Translated from the Japanese edition. The signal is one-way; corrections cannot be sent back.